Articles from February, 2008

why not discount?

Written on February 25, 2008


 

I made a mistake a few days ago, and lost a sale. Actually, I made the  original mistake last year at a show when I gave a first time customer a  15% discount on the price of a necklace.

I am a full time working artist. I am not a crafter, a hobbyist, a part time artist,  or a dabbler. I do not have another job, nor another source of income. Any of those states of being are fine, but I am in a different situation. My art is my livelihood, and I must make a profit from my business.

In everything I make there is an investment – of time and money. The investment of time is multi-layered. Its not simply "How long did it take you to make that bead?"  It’s the time I spent tossing the idea around in my brain before I ever picked up the tools – in fact its a compendium of all the time it took me to arrive at being able to visualize the final product. But lets say I’m ready to make the bead – as I wrote the other day , there is more to it than just the time making the bead – there’s prepping the kiln, the mandrels, the ordering of the glass rods, checking in the glass rods, cleaning the beads the next day, then the time making the beads into a necklace or earrings. Then if I’m selling them on the Internet, the time to photograph, list the item, monitor the listing, and then when they sell the time to pack them and take them to the post office for shipping. If selling at a show, there’s the time it takes me to get to the show, time to set up,  time spent in the booth sell for two or three days, then time to break down the booth, drive home, and do it again. So, "How long did it take you to make that bead?" is relative.

Then, there’s the investment of money to make  the beads that I turn into jewelry. The cost of the glass is relatively low – but what about everything else? The electricity to run my kiln and oxygen concentrator, the propane I buy, my torch itself, the other tools I use, sometimes silver foil, enamels, copper wire, silver wire, silver findings I buy or the raw silver Jim uses to make settings, stringing supplies like wire or silk or leather – the list  continues…..

There are price tags,  business cards, my digital camera, batteries for the camera, tissue and packing boxes, mailing labels, pliers, nippers, hammers,……

If selling over the Internet, there are fees paid to etsy, paypal, my web site host, the cost of my dsl account – ….

If selling at a show, the jury fee, the advertising postcard I mail, the gas to get there, the motel room bill, the food bill, the cost of the booth,  the cases to show the jewelry, the displays, necklace stands, the carpet, the booth itself with the drapes, the lights, the show electric bill, …..

There’s the fee I pay to the credit card services,the cost of the sales slips, the paper bags, the tissue, the silk pouches in which I package each item…….

Did I forget something? Maybe. I’m sure you get the idea.

I’ve taken all of the above into account when pricing my artwork, because it took all of that  time and money for me to bring my artwork into being and hand it over to you, my valued customer. I think that I’ve reached a balance in my pricing. I use a formula taking my time and costs into account. But in the end, some items are more than the sum of my formula, some are less, because I want to keep my work affordable, and not only that, I want my work to sell so I can support my self and continue my artistic journey.

By the time a potential customer sees my jewelry, it is priced. And that price is fixed,  for all of the above reasons. Therefore, I have a policy of not discounting my items. A discount is not fair to me. Is is not fair to give one customer a discount, and not another. If I discounted everything I wouldn’t be in business. So I create what I have calculated to be fair prices, and don’t discount.

Not everyone can afford my work. I can appreciate all the reasons why they can’t – I can’t afford to purchase everything I would like to have either. But my money situation doesn’t give me the right to demand that someone lower the price on what they are selling. Luckily, thankfully,not very many people ask me for a discount.

But some do, and that’s where I made my mistake  last year – I sold a necklace for a discount. I felt uneasy about it, but justified my decision: The necklace really looked terrific on the customer who wanted the discount, – and more than that I had driven hundreds of miles to get to the show, spent astronomical fees on gas, on hotels, on expensive food, and I was having a lousy show sales wise. When the "I want a discount" customer showed up I had not even made my booth fee. So I kowtowed – no other customer was in the booth to overhear – I gave her a discount.

The show went on, and in the end I made something of a profit. A few weeks after the show the customer with a discount e-mailed me, asking for some matching earrings. I made three pairs of earrings in different colors for her to choose from, and sent  photos of them to her, along with the earring prices. Her reply: "Was a little taken aback with the price of the earrings compared to the necklace and wondered,(since I make silver pieces) if I could just buy the beads or, if there might be a discount since I bought the necklace?   Hope so"

My mistake had come back to haunt me – Bruce Baker warned me – if you give a customer a discount once, you’ll always have to give them a discount. I forgot that though, and when I read her e-mail, I just couldn’t do it. In fact, the earrings were priced lower than I would sell them for at a show, since this would have been a direct home sale. Hmm.. That part  saying "a discount since I bought the necklace" — Let’s see, I’ll just call the electric company and say "Since I paid my bill last month, and the month before that,  how about a discount this month?" Or, tell the filling station owner, "Since I just bought gas last week, how about a discount for me this week?"……..

I declined her offer, and steered her to some other glassworkers that offer loose beads. Perhaps she’ll find her beads  or earrings at a price that works for her.  She decided not to buy mine.

Jim thinks I sacrificed good will in order to keep the  profit I would have made had she paid my set price. I didn’t loose money – but didn’t make any either.  I got  just desserts for breaking my rule in the first place,  and should my lost customer perchance read this, maybe she’ll understand why I don’t discount.

 

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Hey, the good news.

I’ve got three pairs of extra earrings for sale. They’re beautiful hollows, set with sterling silver findings:

$45 for either of the pairs on french wires, $50 for the pair on posts.

  • 4 Comments

I like your comments regarding discounting and totally agree. I've done the same thing for the same reasons and then just kicked myself. I mostly do bead shows so I do have wholesale pricing with a minimum $500 purchase. And hopefully have learned my lesson - no discounts!

Jackie Mixon
www.jackiemixon.com
jackiemixon.blogspot.com

Lyn

growth and prosperity

Written on February 22, 2008


Starting a business is the easy part – keeping it alive, growing, and prospering is an ongoing, constant challenge. Making a living as an artist is much more involved than people I’ve talked to realize.  Customers often say something like this to me: "Oh, you’re so lucky – you get to play every day, be creative, and you don’t have to go to work!" – Huuh? Not exactly. It’s true, I am lucky, and I do get to play every day at creating something that I love – but, and this is a big but, I do "go to work".

 

Here’s what I’ve done today, and this is my usual routine:

Jim and I got up at 6:30, and Jim put on the coffee. We did 30 minutes of stretching, sit up type exercises, then we put on our outdoor gear, and walked for two miles. On the out to walk I took yesterdays beads out of the kiln, and put them, still on their mandrels, into a bowl of water to soak off the bead release. I then turned on the kiln so it would heat up to 950 degrees by 10 AM.  Back home after our walk, we drank our first cup of coffee, made and ate breakfast. By 9 o’clock I took my second cup of coffee (decaf now, so I don’t get the jitters when I’m making beads) and sat down in the office at the computer. I checked e-mails, looked at etsy to see if I sold anything (nope), uploaded some photos I took of some new silver jewelry Jim made for the Round Top Gallery, and priced that jewelry. I cleaned yesterdays beads, planned what I wanted to make today (Teal hollows and bright yellow spacers), and went out to my lampworking studio in the garage. In spite of having to dip a lot of mandrels, I was at the torch by 9:45, raring to go.

It’s now 2 PM – we just finished lunch, and I’ve turned off my torch for the day (I made beads from 9:45 til about 1:30). After I finish writing this blog I’ll go over the mail, prepare an application for a December show, and then make at least one necklace (the beads for that are sitting on my bead board.) Several pairs of earrings are also sitting, waiting to be photographed. I’m also planning to upload some new pieces to etsy, and hoping to get the "Show Schedule" portion of my web site updated.

Jim, as the other half of this jewelry adventure, worked at his bench making jewelry until around 11:30 when he went out to do the business errands. He mailed a package, drove to the bank with a deposit, and delivered his new jewelry over to the gallery. Now he’s continuing work on an earring, necklace and bracelet set, and an elaborate neckpiece with one of my floral beads in the center.

We’ll quit our official workday around 5 PM, then probably have a hot tub, drinks, dinner, and relax for the evening.

It is fun, I do get to be creative – and I can work in my pajamas if I want. But still and all, after I make it, I need to sell it. And there comes the REAL challenge: Promotion. How do I do it? Mainly, I sell my creations at 12-14 juried art shows throughout Texas, New Mexico and Louisiana. So part of all that afternoon photography and computer work involves uploading digital photos to Zapplication  or Juried Art Services, researching what shows are out there, and when the deadlines are. I use Art Fair Source Book to help me find shows – it’s worth every penny I pay. I recently used their sample jury process to have my slides critiqued. I learned a lot from that process, and feel my slides are better now (and I got into a really great show soon after using my new set of slides).

 

generic postcard sept 07 Each year I make an advertising  postcard made – with photos of my jewelry on the front, and a little blurb on the back about my work. In the blurb I leave a blank space so I can insert "You can view my entire line at this show: ——. Then, about 3 weeks before the show, I mail the postcard out to everyone in that area that has signed up for my snail mail mailing list. I also send out an e-mail postcard to the e-mail list.

I’m a juried member of Texas Originals – a group of artists that represent Texas. They create group advertising, and send us leads every month. I mail my advertising postcard to those leads, and I participate in studio tours, shows, and whatever the TXO group dreams up.

Jim and I like to know where our charitable contributions are going, so we donate works of our art to fund raisers that benefit our community – the local library, a local women’s league, and other organizations that we know make a difference. I don’t expect anything in return for our contributions, but I do feel it keeps my name "out there" – and when a piece of my jewelry is auctioned off, it usually raises much more money for the organization than I could comfortably give in actual dollars, so its a "win-win" situation for us all.

Sometimes I take out ads in publications (newspapers, magazines) that will be advertising the art show that I’m in. I placed an ad recently in American Style Magazine (I didn’t get any results that I know of).

What else? Ah, how could I forget – the Internet, the portion of promotion I find the most challenging. I’ve got a web site,(I used to use Paypal on it, now I’ve switched everything over to etsy). I’ve started this blog. I’ve joined Indiepublic. I’ve signed up for web rings. And honest, I’m trying to keep up with posting, and visiting sites, and making comments, and so far, after just about two months of all this, I’m hooked on some sites I found in the process, and drooling over all the beads other people are making that I didn’t know until recently were out there, and I’m reading about the angst of other lampworkers, and other artists, and I’m checking back daily, and wondering how this persons doing, and that persons doing, and hey, wait a minute, where did my day go?  EEK!!!

So here are some pieces I’ve made lately. And if you read this, let me know – I’m really not sure if the blog is working!

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just off the porch

Written on February 17, 2008


 

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writing it down – or the list is working!

Written on February 11, 2008


 

 

I’ve believed in writing down my goals for a long time – ever since I was 8 years old and my father (bless his soul) taught me how to create a business plan. If I could write down what I wanted to buy, he’d give me the money (mostly).

Anyway,  I wrote down my goals for 2008, and lo and behold, a lot  items on my list have or are already happening. Yahoo!

We did go to Marfa, and what an inspiration that was – all the way from the drive through the west Texas landscape, to seeing the art of Donald Judd, and others. Even the motel room (Thunderbird Hotel) was fun and staying in the minimalist room shifted my perspective. And the Texas sky, the sky – oh, I love the big sky like I love the sea and the ocean. It made me long for both. But never mind, I came home, and got onto the house project, and now, good grief, we have a builder, and are even getting a better house than we had imagined just a few days before our weekend mini-vacation. Signed a contract, and everything.  We’ll be building a"barndominium" as  Texan’s call a big metal building,  with a house inside. We’ve created a sculpture  you’ll  walk through  to enter the front door – it’ll stretch up 20 feet and outline our own piece of the big sky. Out studio, under the same roof, will have its own separate entrance. Oh, we are excited at last!! And scheduled to start building in about a month, for real.

Meanwhile, I’ve made lots of beads, played scrabble with my sister, soaked daily in the repaired hot tub, enjoyed quiet times with Jim, told several people I love them, and completed or continued to make progress toward other items on my goals list. Have been accepted to a new show that I really wanted to get into. Have been good to myself most every day (including getting my teeth cleaned today – is that good or bad?)

Writing it down does work – looks like it from here.

New on etsy (click photo for link):

 

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2013 – A Very Good Year

Written on February 7, 2008


 

I’m not that old, really, just 63 – but still, according to  statistics, and current thinking, I am "over the hill". When I look in the mirror I see a face that sometimes gives even me a start -all those wrinkles and that double (triple?) chin cannot possibly be mine. I’ve adopted the attitude of Jack Benny ( Who even remembers him !!???) "I’m still 39."

Well, on the good days, I do feel 39, and my neighbors  say I act like it, especially when dancing in downtown Round Top in the middle of the street on a Friday night, out in front of the Wine Shop. Honestly, though, I’m counting my blessings. I have no known diseases, and all of my teeth. My eyes are suffering though, – in order to make beads I wear special glasses, and I’ve given up caffeine to keep my hands steady. I discovered lampworking rather late in life, relatively speaking, so I consider myself lucky to be doing what I love so very much at all. So, when a site I recently joined posed the following challenge, I chimed in with this blog.

Here is the question from "Flaming Hot":

"You fall asleep and think you are dreaming.  But really, you have just traveled through time forward five years.  What does your glass world look like?  Blog it!" 

My reply:

In 2013 I’m a famous glass artist, and a well-known writer. My book, "Go Anyway" has been published, and is selling well. The success of my memoir has allowed me complete freedom in my life as an artist, and I have created wonderful new beads, and stupendous pieces of jewelry. I’ve been showing my  glass work in the Smithsonian Craft Shows, and the American Craft Council shows. I’ve honed my lampworking techniques, and as an American elder, at age 68, I’m  vibrant, active, healthy, very much alive, and my eyesight is still good. I’m acknowledged as an innovative lampwork artist, and make a very good living from my endeavors.

My husband and I have been living in the house we built back in 2008 for about five years, and my studio is filled with glass of all colors, my kiln, my torches, my beautiful clean bench – and of course, all the beads I make on a daily basis. My husband Jim is also alive, vibrant, and enjoying his partnership with me in life and in artistic pursuits. He continues to create wonderful silver settings for my beads, and make his own designs. Life is good, fun, and full of artistic challenges.

In five years, 2013, I’m lovin’ the glass, lovin’ my life, and joyful to  be around  to see another century!

 

Here’s a necklace I finished today – two glass beads I made, on an oxidized sterling silver bale made by Jim.

Will be listed on etsy soon!

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Marfa | Minimalism = Inspiration

Written on February 3, 2008


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